Welcome to 2026! How did we get here already? Wibbly wobbly timey wimey, of course.
Thanks to some unfortunate insomnia, I've had some time to finally work my way through more Classic Doctor Who. Though I'd rather sleep, maybe it's Heavenly Father's way to forcing me to take some self-care time (I'd rather self-care with sleep, but He knows better than me). Recently I watched "City of Death" and had some more random thoughts about it (even more random than usual).
The "time slip" was an interesting mechanic. I kind of wish it had been used more throughout this story. Or maybe a story centered around it, a la Groundhog Day. With how the humans didn't seem affected by it, maybe this is the explanation of human Deja vu?
A plot to steal (and replace) artwork. Talk about a long con! One of the tools used in the heist made me chuckle. They used a "sonic knife" and all I could think about was Captain Jack Harkness, commenting on the Ninth Doctor's screwdriver: "This [knife] could be a little more sonic." Would've loved for the Doctor to commandeer it. Just because.
As if it weren't convoluted enough that Da Vinci painted about half a dozen copies of the Mona Lisa, modern viewers of Sarah Jane Adventures will remember when she came for revenge. Connecting the two stories, I have to wonder if all seven portraits used oils from sentient meteorite or if it was just the one that Sarah Jane's crew would encounter. Seven vengeful portraits is significantly more intense than the single.
Just like Clara Oswald in the modern series, Scaroth was splintered across time and space. Unlike Clara, the consciousness of his splinters were still telepathically connected and conscious of each other. Makes a long con like this easier over the centuries. Since the Doctor would eventually stop him, I can't complain too much about his meddling, since he apparently gave us some of our technological advances.
I enjoyed Duggan tagging along with the Doctor and Romana. I kind of wish he'd become a companion to the Doctor. I don't know that we've had a detective on the TARDIS team before. Plus can you imagine the Doctor scolding Duggan across time and space for his impulsive fists. Though maybe after Duggan threw the most important punch in history, maybe the Doctor would've allowed it--kind of like how he would allow Ace's explosives (even though he'd say she couldn't have them).
There's still one question I need answered though: Why was it called "City of Death"? Of course there was death--it is Doctor Who after all--but it wasn't like all of Paris was dying. Was there a different plan for how the episode was supposed to go and the name never changed? Not important. Just curious, as I move towards the end of the Fourth Doctor.













